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The upsurge in handwired, highly crafted amps was certainly a blessing to those of us who love tone and the pursuit of it. I can’t believe it happened due to any one factor over the many others.
For instance, CBS musical instruments buying Fender and directing it straight to hell in a hand-basket. Then came the departure of all the talent that was Fender and their new engineers, probably straight out of college, wanting to go solid state (or is it soiled state?) all the way. Then came the terrible fiasco of the ultra-linear transformer. OUCH!
As this was going down, Marshall was just trying to keep up and bit the transistor bait as well. Vox was hit so hard they had to shut down for a while.
This sad state of affairs opened a window for people like Randall Smith (of Mesa), Howard Dumble and Ken Fischer (Trainwreck) to show the world what a hot-rod tube amp could (and should) do.
I must say I feel some degree of schadenfreude about these circumstances but also feel bad for Leo and the fate of MusicMan. I am, however, smiling about Gibson. I always heard there stuff went to eleven I just didn’t know they meant Chapter Eleven..
I’ll be doing business with you soon, I’m in the process of moving to another
abode.
V/R,
Robert
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